A tech strategist with over a decade of experience in digital transformation and startup consulting across Europe.
“Well, the situation is pretty dire here. Our recommendation is all of our clients to invest all their resources into tinned provisions and hunting rifles.” That bit of shrewd guidance comes from the Brain Gremlin – a genetically modified, articulate, glasses-wearing member of the slick creature crowd that infests Manhattan’s high-tech Clamp Tower skyscraper in filmmaker Joe Dante’s unhinged continuation Gremlins 2: The New Batch. On the surface, it’s nothing more than an financial suggestion from one monster to another. But, oddly enough, it’s also remarkably sound existential counsel. Seriously, listen to my reasoning.
When life takes a turn for the worse, the biggest mistake you can do is view events with undue solemnity. The Brain Gremlin understands this. Actually, a large portion of the dentally-gifted beasts that occupy Dante’s chaotic 1990 feature (possibly his finest) possess the same knowing, self-referential sense of humour regarding the indistinct border separating everyday life and unadulterated chaos. It’s one element of Gremlins 2: The New Batch that maintains my loyalty – and as I age, it’s the underlying idea that echoes the loudest.
Understandably, my fondness for this movie did not begin on such an philosophical plane. In my youth, we only had a few scratched-up video tapes at home. Among them were Gremlins and its sequel, the latter housed in a chunky ex-rental box probably bought from an non-chain rental store and sporting snarling creatures on its worn-out artwork. I was immediately enamoured and these films wasted no time inserting themselves inside my tiny, impressionable mind. After that point, they became an near-everyday part of my early years entertainment regimen.
Dante’s first film usually receives all the plaudits, thanks primarily due to its reputation as a semi-scary seasonal fave – and let me be clear, I’ve watched Gremlins more times than I can count. That said, its sequel rarely gets the same level of high regard, which feels criminal. As a kid, I’d invariably jump at the prospect to watch Gremlins 2. During sunny school summer breaks, I’d lock myself inside and stick it on. When I got my own TV-VHS combo unit, it continued playing looped in my bedroom. Gradually, it ingrained itself in my mindset. If my parents observed this fixation, they gave no indication of concern.
As I got older, new insights enriched repeat viewings, elevating the fun of watching small emerald creatures gleefully trash a New York high-rise. I learned the future-focused property magnate and Clamp Tower owner, Daniel Clamp (John Glover), was modeled closely on the later-to-be-president Donald Trump, with his ginger staff member Marla (Haviland Morris) alluding to his second wife Marla Maples. Thankfully, Clamp possesses greater compassion than his actual-world equivalent.
The “end of civilisation” video Clamp plays during peak-Gremlin chaos? I discovered it was inspired by a actual “Doomsday” video created by the CNN boss Ted Turner in case the world actually met its demise. I noticed how Dante made a special effort to film varying versions of a self-referential segment where Gremlins seize control of the actual feature in progress. A version for theaters, one for VHS and TV, each delivering a smirking slice of meta pop-culture magic ahead of its time.
While it was creature designer Rick Baker’s fantastically vile creatures that caught my eye as a child, this subsurface richness kept me hooked as an adult. Ultimately, I even spoke to Dante about it myself and he had no hesitation telling me he made the movie with the specific aim of mocking those who loved its absurd-yet-genuine predecessor and wanted more. “We were going to make fun of the fact you came to see it,” he cheerfully disclosed. This cartoonish rebelliousness and commitment to not take his sequel as solemnly as his Warner Bros bosses evidently expected, only increased my affection for it.
When I experienced a abrupt familial death recently, I was surprised to find that, during my deepest grief, all I wanted to do was sit and watch Gremlins 2: The New Batch. Odd, no? Possibly not. The comforting familiarity it offered was necessary to weaken my mind’s mourning mire – but the perspectives it had imparted to me as an adult were similarly beneficial.
Like Gremlins running amok in a genetics laboratory, there’s some things in life you just cannot manage. Dante knows it. The Brain Gremlin knows it too. Sometimes, you have to emulate them: accept the turmoil, put everything you’ve got into tinned provisions and hunting rifles and try not to approach life with excessive gravity.
It’s robust worldly wisdom from a most improbable origin – and it’s why Gremlins 2: The New Batch will eternally stand as my comfort movie.
A tech strategist with over a decade of experience in digital transformation and startup consulting across Europe.